Thursday, September 30, 2010

Breaking News: 2011 Foundry Photojournalism Workshop


Eric Beecroft has just announced that the Foundry Photojournalism Workshop will take place in mid July 2011 in beautiful Buenos Aires, Argentina!

The tuition is $500 for regional students (Mexico, and all countries south to Tierra del Fuego; including Caribbean nationals, and $975 for non-regional students. Early registration is available for a non-refundable $100 via Paypal only. The early registration guarantees a spot and places the payer in the front of the line for class choice. Scholarships will be announced shortly.

The instructors' line up include:

Kael Alford
Walter Astrada
Andrea Bruce
Michael Robinson Chavez
Tewfic El-Sawy
Ashley Gilbertson
Ron Haviv
Henrik Kastenskov & Poul Madsen (Bombay Flying Club)
Jared Moosy
Maggie Steber
Ami Vitale
Adriana Zehbrauskas

Drunk on the power output? Bugatti Galibier concept runs on ethanol


Bugatti Galibier concept - Click above for high-res image gallery

After months of speculation, Bugatti has finally pulled the wraps off its new four-door supercar concept just ahead of the Frankfurt Motor Show at an event for past customers and Bugatti-intenders. Up to this point, we've been referring to the French über-sedan as the Bordeaux, but it seems the actual car's moniker will be Galibier – the name of a difficult Alpine pass along the Tour de France.

Powering the Galibier concept will be a version of Bugatti's ridiculously powerful eight-liter W16 powerplant. Unlike the mill propelling the Veyron to ludicrous speed, this version is mounted up front and is capable of running on ethanol fuel, which may or may not allow the automaker to squeeze a few more ponies out of the engine... not that it needs it, of course. Plus, when swilling as much alcohol as the Galibier would be likely to ingest, it's hard to think of a car like this as eco-friendly.

One of the Galibier's most striking features is undoubtedly its two-tone outer shell, which is comprised of both polished aluminum for the doors and front fenders and a unique dark blue carbon fiber weave that shines through when illuminated. We also note a prominent center spine that recalls past Bugattis like the Type 35 and the classically beautiful Type 57.

Current reports peg the Galibier's top speed at 217 miles per hour (350 kilometers per hour), which, while slower than the Veyron's epic terminal velocity, is certainly nothing to sneeze at. Check out our gallery of high-res images below.





NYT's One In 8 Million Gets An Emmy

I was very glad to read that The New York Times’ multimedia series One in 8 Million won an Emmy Award in the “new approaches to documentary” category a few days ago, and that its producers and all those involved were deservedly recognized and honored.

For those who don't know,  the series is a collection of stories told with audio and photography that portray everyday New Yorkers. Unfortunately, it was only featured for 12 months...presumably because the creators didn't want it to go on any further, but I never found out the reason behind that.

Why would I devote a post on this, instead of just a Tweet? Well, apart from thinking it was extremely well produced, I used One in 8 Million as a teaching tool during my Introduction To Multimedia class with the Foundry Photojournalism Workshop in Manali (India) and in Istanbul.

I used the series as an example to stress to my classes the need for simplicity (the "keep it simple" doctrine), the need to humanize the story and the need for brevity.  Whichever one of the series that the class attendees watched, they unanimously agreed that these were inspirational.

From reading the interview conducted by James Estrin with the staff photographer Todd Heisler, the senior multimedia producer Sarah Kramer, and the photo editor Meaghan Looram, I learned that the audio was recorded before the photography took place..I didn't know that, and I am certain to share this interview with my future classes.

A very well deserved recognition!

Candace Feit: Orissa's Tribals

Photo © Candace Feit -All Rights Reserved  
Candace Feit is a photojournalist currently residing in New Delhi, and was featured on the pages of The Travel Photographer blog a number of times.

Her photographs of West Africa  (she was based earlier in Dakar, Senegal) appeared in the The New York Times, Le Monde, Le Figaro, The Chicago Tribune, The Washington Post, and Time magazine, among others.

Candace has recently published more Indian photo stories, including this one on the Adivasis of Orissa.  Orissa has one of the largest concentrations of tribal population in India, and according to a government census, they number around 7 million.They are neglected by the central government, and suffer from extreme poverty.

This has given rise to a fertile environment for the Naxalite anti-government movement, which exploits the vulnerability of the tribals, and forces then to take sides. In turn, the Indian government is battling this separatist movement, and the Adivasis find themselves in the middle of the conflict.

Wednesday, September 29, 2010

David Myers: City of The Dead


The City of the Dead is produced by David Myers, a part-time photographer who lives in Maryland and works in Washington DC.

The City of the Dead is a four mile long cemetery (a necropolis would be a better word to describe it) which extends from the northern to southern part of Cairo. It's called el-arafa by Egyptians, and is an area of tombs and mausoleums where people live and works amongst the dead. Its foundation dates back to the Arab conquest of Egypt in 642 AD, and has grown with time until it reached the equivalent of a fully functioning residential suburb of Cairo.

I watched this short photo essay, and it brought back childhood memories when, once a year during the Eid festival, I had to accompany my father to pay respects to our ancestors and forebears who were interred in our family's mausoleum. I still recall it being as large as a couple of basketball courts, with two house-like structures sheltering a number of mausoleums, made of marble or alabaster, and intricately carved with verses of the Qur'an. It is under one of those that my father rests, alongside his forebears. The marble gateway to the mausoleums is carved with the name of my grandfather...which is like mine.

This brought back the smell of dust to my nostrils...the Egyptian dust that is tamped down by hosing it with water...the green-grey color of the palm tree leaves...and much more.

I've been to many Islamic countries and heard the adan in all of them...but few of them come  close to beauty and purity of the Egyptian adan. Perhaps I am biased....

Esther Havens: Ethiopia

Photo © Esther Havens-All Rights Reserved

It's very easy to like and admire Esther Havens. She is a humanitarian documentary photographer who focuses on social-awareness campaigns with Non Profit Organizations around the world, and spent the past two years capturing stories on water projects in Kenya, Rwanda, Uganda, Haiti and Central African Republic.

She traveled to over 40 countries and, as she says "...seeks to open hearts and minds to see the third world conditions in a way that might challenge them to make a difference".She's especially supportive of charity:water, which she urges everyone to support.

Her website has many galleries of her travels to Ethiopia, Uganda, CAR, Iraq, Rwanda, Mozambique, Jordan, Nicaragua, India and others in Asia and South America.

The above photograph is from Esther's Ethiopia gallery.

Tuesday, September 28, 2010

My Work: Bali: Ngaben (Cremation Ceremony)

Photo © Tewfic El-Sawy -All Rights Reserved

Here's the first of a number of audio-slideshows of Balinese traditional events which I worked on following my return from my Bali: Island of Odalan Photo~Expedition

Ngaben: Cremation Ceremony is a thematic multimedia photo-essay of black and white stills and ambient sound of a cremation ceremony for 6 villagers held on August 11, 2010 in Blahbatuh. The actual cremation was almost a whole day event, and was preceded by a ceremony of remembrance at one of the villagers' homes during which food and drinks were partaken by the families, villagers, friends, neighbors and whoever else wanted to share in the occasion.

While Balinese Brahmins and its wealthier class cremate their dead as soon as death occurs, the poor need to accumulate funds to do the same for their dead...and frequently organize group cremations to spread the costs. This means that years can pass before their dead are finally cremated. The Balinese Hindu tradition calls for bodies to be cremated in order to free the soul from all worldly ties, and as such the cremations are usually bitter-sweet occasions, since it provides closure to families.

During this event, some bodies were exhumed just before the cremation, bones and skeletons were washed...and these remains were put in coffins placed in sarcophagi fashioned in the form of bulls. These are called wadah or lembu that are made of bamboo, papier mache and cotton fabric. The climax of Ngaben is the burning of the structures and the bodies.

During other cremations I've attended, fire accelerants were used to speed up the process. On this occasion, I didn't see any.

The audio slideshow is also iPad-compatible.

Monday, September 27, 2010

Andreas Burgess: In The Courtyard of the Beloved

Photos © Andrea Burgess -All Rights Reserved

 I am thrilled to have stumbled on Andrea Burgess' magnificent In The Courtyard of The Beloved, a visual and aural "portrait" of the Dargah of Nizam Uddin Auliyah, a Sufi shrine in Delhi. The shrine is for the revered Hazrat Nizam Uddin, a famous Sufi saint of the Chisti Sect in South Asia, whose main tenet is in drawing close to God through renunciation of the world and service to humanity.

The title of the documentary refers to the title given to Nizzam Uddin by his followers; Mahboub Ilahi or beloved of God. In fact, the qawwali ( style of Sufi devotional music) songs performed at the shrine in his remembrance and praise address Nizzam Uddin as mahboob ilahi.

The "portrait" is made from over 18,000 still images and ambient sounds which were recorded on-site by Andreas... 18,000 still images!!!! Imagine the amount of editing that Andreas had to do!!! It was produced by Sadia Shepard.

The Dargah of Nizzam Uddin is one of my favorite places to photograph in Delhi, and I have a ton of images made in the area, and Andreas' work has given me fresh impetus to spend even more time there when I'm next in Delhi.

I guarantee you'll agree that this is high quality inspirational work, and I strongly recommend it to readers of The Travel Photographer blog, particularly to those who, like me, are interested in multimedia, South Asian Sufism and Indiaphiles. I already sent the link to participants of my forthcoming In Search of Sufis Photo~Expedition™

Very well done, Andreas and Sadia!

Kashmir: Will 2011 Be It ???

Photo © Altaf Qadri/ AP Courtesy SacBee's The Frame-All Rights Reserved

 I read with interest that the Indian government announced it would start releasing jailed protesters, ease security in Kashmiri towns and cities, reopen schools and universities, and offering financial compensation to the families of those killed since the protests in June.

I've been keen to go to Kashmir for a number of years, but was stymied by political unrest in the region, by conflicting time constraints and other destinations. I certainly kick myself for not taking the opportunity of being in Manali with the Foundry Photojournalism Workshop in 2009, and travel to Srinagar as some in the workshop did.

So the possibility of a solo-trip (or even a group photo-expedition) to Kashmir is once again rearing its head because of this announcement...only time will tell if the Indian government is serious with this new policy, or whether it's just a public relations stunt before the Commonwealth Games in Delhi.

I'm eager to photograph in Kashmir...and its rich and unique Islamic traditions. In all my years of traveling in India, I have not made it yet. Something tells me that 2011 will be it... Inch' Allah.

Sunday, September 26, 2010

First Drive: Bugatti Veyron


Bugatti Veyron – Click above for high-res image gallery

I opened my inbox one morning to find this question from a publicist: "Would you have time to drive the Bugatti Veyron?" Would I have time? Really? Would you believe, uh, yes? And that's how I found myself at Westlake Village with a black and cream Veryon waiting in the shade of the porte cochère. Yes, it was perfect. It was like getting a date with that frighteningly beautiful woman I've had my eye on for a while now, and actually enjoying it. Follow the jump to read about The Day of the Veyron, and check out the gallery of hi-res pics below.

Now we all know about the Veyron and we've all surely seen the Top Gear and the celebrity spotting vids, so I won't waste time recounting its origins or performance tales. We all know that when it comes to the supercar mafia, this is the capo di tutti capo. The Godfather. The Don Vito Corleone of automobiles. But just as you might wonder what it's really like to have a Godfather for a boss, the question I really wanted to answer was: what's it really like to have to deal with a Veyron?



The first answer to that question is: busy. You'll probably want to hire your own publicist if you buy one, because strangers are going to ask you a lot of questions. And then they'll take pictures. And then they'll ask you to start it and rev it. Then they'll ask you to show them "what it can do."

Even while you're driving, people will hang behind you, or in your blind spot, or, my favorite, drive up beside you, stay there a while, then roll down their windows and turn into Larry King. Their first question is always "What do you think of the car?" What do I think of the car? You really want to know? At 75 MPH? 'Cause I'll bet you already know the answer...


Once you've finished your interviews, you can look the car over. The pictures don't lie: it's wide, it's quite compact, and it's really, really low. It felt like it only rose to my knees, a feeling reinforced when I actually sat in the car. It's one of those rare cars that looks in person the exact way it does in the photos. Personally, I don't mind the front and the sides of the car, but the rear, well, let's just say I'm not enthralled. The graceful combinations of curves and radii that make up the front and sides give way to a stew of angles, prominences, crevices, and materials. Understandably so, since that's the hard working end of a 1,001-HP conveyance, but aesthetically, I might wish for something else. Yet don't get me wrong: if I actually owned the car, I'd get over it.

Speaking of grace, that was something I was never able to master while getting in the car. In cars this low I usually plop in butt-first, then swing my legs in, and it's not a problem. But the Bugatti's doors don't open terrifically wide, so whether I tried to put my butt in first and swing my legs in, or put a leg in first, I always ended up having to pull my ankle back to get my foot around the door and into the car.

And once you're in, it's a cozy fit, with your legs canted to the right and the narrow-ish window leaning in to meet the roof perched right at my head. It isn't, however, claustrophobic, and there's still plenty of room to maneuver -- if there's someone in the passenger's seat, you don't have to worry about bumping elbows during the drive.
The controls are all there, an arm's length away, and everything -- absolutely everything -- is, of course, very, very, very nice. Not that I did much exploring of them -- there isn't much to play with, and I didn't waste time fiddling with the $30,000 stereo or anything else for that matter. The center console is a bit too gilded for my tastes anyway, so as soon as I located the Start button I was set.

The manual sport seats were quite comfortable. My co-driver was a gent named Butch Leitzinger, whose job it is to escort folks like me, and he told me that the sport seats are actually more comfortable than the electric seats. If you don't plan on doing a lot of moving around or driver swapping, choose those. They offer a great seating position, fantastic support, and even after an hour driving the car I felt just as good when I got out as I did when I got in.

To start: grab your Veyron key -- which looks like any other VW group key, except it sports a Bugatti logo -- turn, put your foot on the brake, and press the Start button. Sixteen cylinders and four turbos sit over your right shoulder like Jeeves, waiting for orders. The overwhelming sounds are of whine and wind: whine from the turbos and machinery right behind you, wind from the cyclonic amounts of air being inhaled by the intakes right above your head. You tap the gearshift to the right that puts you in first, press the gas, and you're off.

The first part of our route took us from the San Fernando Valley over the mountains and down to the ocean, and it was a good 30 minutes of up-and-down twisties. The steering was perfect, rapier-sharp, and the car does only what you ask it to, not a jot more, not a jot less. As well, you sit so low, the car has such a short front end, and the arcs over the wheels immediately mark the locations of those enormous Michelin's (they're practically right beside you, anyway). You don't need to worry about getting some undue expanse of car in front of you around the corner on the right line. There simply isn't enough car in front of you to hide the right line.

I let the car do the shifting over this stretch because I hadn't had a chance to work out the turbo behavior, and a tightly wound 2-lane road wasn't the ideal venue to begin running scientific experiments on turbo lag. Cruising in automatic, though, added another noise to the cockpit: the transmission shifting gears. Stout mechanicals, thunking into place with every up- and downshift, letting you know "There are Serious Things Happening Back Here."

But the car was as docile as could be, much like driving a Volkswagen except with perfect responses and heavier steering. And for a portly car that feels like it has no travel left to give and no allowance for roll, the suspension was compliant enough that the lane-line-reflectors passed under the wheels with unexpectedly sedate thuds.

Then we got to the PCH. And it was empty. And Butch said "Go ahead and have some fun."

So this is what happens from a 2-MPH start in a Bugatti Veyron when you floor it (in fact, it would have already happened by now. It's that fast, and you haven't even started reading about it):

Hit the gas. The car rockets forward. Immediately. Instantly. You're going really fast. Like it decided to skip everything from 2-MPH to 40-MPH and just jumped straight to 41-MPH, didn't pass go, didn't collect $200.

That took maybe two seconds. Maybe.

And you're not even doing anything yet.

Because while you were busy trying to figure out where those two seconds went and where this speed came from, the turbos were busy getting ready to come on stage --

And then they kick in --

And then forget about it.

No really, forget about it.

Sixty miles per hour comes in maybe another second.

And another second after that, hell, who knows how fast you're going. And another second after that, I think time and space take on different properties. I think I became a rhombus.

And this is the PCH, remember. I only had room in my head for two thoughts:
1. I need to stay on Earth.
2. I need to not hit a telephone pole.

That's it.

There's a horsepower gauge in the lower left corner of the dashboard, which, sadly, you have no time to watch. If you're moving quickly, you're much more interested in making sure you don't hit anything. If you're moving slowly, you're much more interested in making sure none of the hangers on hit you.

And then Butch said -- loudly -- "Slam on the brakes!" There was no danger, he just wanted me to see what the brakes were like.

So I slammed on the brakes. And all the blood and every organ in the back of my body moved immediately to the front of my body. It felt like something was trying to suck me out of the front of the car. A couple seconds later we were stopped. The brakes are very good.

Nevertheless, I wanted to know how the turbos behaved in normal driving, because if you just wanted to do a little point-and-squirting through traffic you weren't really looking for warp factor seven. If you give the Bug a nice dose of gas the turbos begin to spool, the noise above your head sounds like a huge Dyson is vacuuming up the sky, and then you go. I mean: GO. But you have about 1.5 seconds from the moment you hear the roar above your head to liftoff, which means that if you don't want to go subsonic in whatever direction you're facing, you better get your foot off the gas pronto. In practice, once you sort out the timing, it's a piece of proverbial, quad-turbo cake.

My attention only lapsed once, coming down a highway entrance ramp, chatting with Butch, when I pressed the pedal and less than two seconds later I was headed at Ludicrous Speed toward a tanker truck in the slow lane. Did I mention the car has very good brakes? But it's so easy to drive this €1 million car like any other every day driver, you'll soon find yourself chatting with your passenger, Big Gulp between your legs, debating whether K-Fed really is as talented as Vanilla Ice.

And here are some fun facts: incredibly, the Bugatti has a bigger glove box than a few sedans I've known, including some from its parent company; the trunk was originally larger, but the engine demanded so much cooling that the holding area has shrunk to about the size of a duffle bag; the navigation system is on the rear-view mirror, semi-opaque directions appearing on the right side of the glass like a miniature Minority Report screen; you use a Bugatti Palm Pilot to enter your navigation details, then upload it to the car via Bluetooth; the car has a sport mode that keeps the engine at redline in every gear, and it's really, really loud, and really, really annoying for people inside and outside the car; and if you fill the tank, take off and drive full throttle, you'll run out of gas in 12 minutes. Twelve. That's 720 seconds. I've waited longer than that for a Big Mac at the drive through. And you'll only go 50 miles. Maybe.

Bugatti likes to stress how fast the car is, and how quickly the car brakes. Yet the story for me was that the Veyron is actually a usable supercar. And I don't mean usable like an SLR or Carrera GT or Enzo – the first two I've driven, the last one I've ridden in, all of which I could drive every day, but I wouldn't. I kid you not, if you can drive a Porsche Turbo every day, you can drive a Veyron every day, the only caveat being it might take a day to get used to having your legs aimed slightly right. The ride is firm but plenty compliant. The mechanical whine is everpresent, but I hear vintage Tercels, Novas, and Civics every day that make more noise. The steering is utterly precise, but not twitchy. The controls respond rapidly to inputs, but you won't kill yourself as long as you pay attention. Perhaps that's why only one Veyron has been destroyed (that we know of), as opposed to how many other supercars?

The car really is all that. I hear if you lease it, which you can do from Bugatti, you can write off the taxes. And it's that time of year again, folks -- what are you waiting for?

---

The evening of the drive I went to a Bugatti dinner for the North American introduction of the Pur Sang, and sat by Dr. Josef Paefgen, CEO of Bugatti. Some extra highlights from that night:

- The Bugatti they brought with them for the night's event (it wasn't a Pur Sang -- there simply aren't enough of them) had a dead battery when it arrived from Germany. They had a Bugatti charger, but it had a German plug and no one had time to return to the hotel for the adapter, besides which, no one had a screwdriver to remove the cover so that they could even get to the battery. Enter a Good Samaritan who happened by in a 1972 Cutlass and had both a Philips-head screwdriver to get the cover off and jumper cables to give the Bug the jump it needed. Sadly, no one took any pictures. Or at least, no would give me any of them.

- Recently the SSC Aero claimed the highest top speed for a production car. Bugatti, though, still claims the honor. Another scribe at the table had recently spent time with SSC, and, sitting next to Dr. Paefgen, told him he carried a message from SSC to Bugatti, which was, essentially: any time you want to settle this, we'll meet you at the VW test track and see who's faster. Dr. Paefgen demurred, and soon questions of what equipment they really used to break the record, what's really a production car, and how many cars SSC has sold eventually overtook the conversation. Later on, though, I was told by a Bugatti exec that Bugatti actually tried to purchase an SSC, and was turned down. Then I was told, "You try and buy an SSC Aero and see what they tell you, and if you can actually buy one then we'll see."

- Bugatti is here to stay, and Dr. Paefgen is not at all worried about Porsche buying VW (about which I was told, "Of course this will happen.") The Pur Sang is the next stage in the Veyron's evolution, which is to experiment with different materials instead of simply different paint jobs. And while, neither Paefgen nor Achim Anscheidt, Bugatti's designer (he arrived after the Veyron), would discuss what was coming next, and even though I was told that each Veyron is a halo car cum loss leader to the tune of a million dollars apiece, Bugatti is at work on another car and has no plans on riding into any sunsets just yet.

Next Week on The Travel Photographer


I'm starting a Sunday feature in which I announce some of the posts in the pipeline for the rest of the week. Most of my posts are scheduled ahead of time but there are exceptions, which occur when I stumble on an interesting portfolio, website or issue..

I've also been frequently complimented on my POVs...and especially those containing rants. I will try my best to come up with those as soon as I can.

For the week starting Monday September 27, I have posts on:

1. A fantastic multimedia project involving Indian Sufis. You will NOT want to miss this one!
2. The work of a talented photographer involved in NGOs.
3. The work of another talented photojournalist featuring tribal life in Orissa.
4. A movie by a British journalist featuring prostitution in India.

I'm also going to release an audio slideshow of my work in Bali during the week. It documents a cremation ceremony.

Oh, and by the way...so far, I've written about 2000 posts for The Travel Photographer!

My Work: Balinese Dancers

Photo © Tewfic El-Sawy -All Rights Reserved

As some participants in my photo~expeditions seek to return with a diverse portfolio, I try to organize alternative styles of photography events during the trip...and although the primary focus is always on merging travel photography with documentary photography, I provide such opportunities to those who join them...depending on the destination.

One of the pre-arranged photo shoots during my recent Bali: Island of Odalan Photo~Expedition ™ was held at the studio of a dance master specializing in the traditional dances of the island. I asked for three Legong dancing students, and one Baris dancer to be made up, costumed and willing to pose for us. Nothing photo-journalistic was intended from it, except perhaps during the make-up preparations, but the objective was fundamentally similar to a fashion photo-shoot.

Photo © Tewfic El-Sawy -All Rights Reserved

Notwithstanding, I couldn't resist to make some non-posed photographs such as the one of the Baris dancer with the young daughter of the make-up artist. I always prefer shooting in a landscape format (to get more elements in the frame...and tell more of a story), but I also had to resort to a vertical format to shoot the Baris and Legong dancers in a traditional pose. Both of these images have their uses, and I'm not saying one is better than the other...but the landscape format lends itself better to my kind of shooting style.

Saturday, September 25, 2010

30 Days In Muslim America

 Courtesy of Boing Boing

With The New York Times and others reporting discrimination against Muslims in the United States just yesterday, I thought it would be opportune and timely to feature here 30 Days In Muslim America, a photo essay published in the well-known Boing Boing blog, by Aman Ali and Bassam Tariq.

Naturally, discrmination against Muslims has spiked recently as a consequence of the so-called Ground Zero Community Center stupidity and Terry Jones' odious Quran-burning farce, so it's no surprise that The New York Times reported this:
There’s a level of hatred and animosity that is shocking,” said Mary Jo O’Neill, regional attorney of the E.E.O.C.’s Phoenix office. “I’ve been doing this for 31 years, and I’ve never seen such antipathy toward Muslim workers.
I don't think the photographs featured by Boing Boing are designed to allay the racism, fear and suspicion that face American Muslims, but it's one of the tiny steps that hopefully will add up. Muslims in America, as President Obama said, are not they...they are us.

Eventually, perhaps the traditional Islamic way of life will be accepted (and respected) in the United States as that of the Hasidim in Brooklyn and the Amish in Lancaster...but I'm not holding my breath.

Friday, September 24, 2010

Wink Willett: Tribes of Rajasthan & Gujarat

Photo © Wink Willett -All Rights Reserved

Wink Willett was on the participants in my Tribes of Rajasthan & Gujarat Photo~Expedition, which took place earlier this year between January 23 and February 7, 2010. Due to conflicting time demands, it took a while for him to upload his photographs of the trip, but he finally got them on his website. Here are those I chose to showcase:

To kick the post off, the above photograph is of an elderly Gujarati Rebari with his wife in the background. This is a spontaneous portrait, made whilst the man was greeting someone else.

Photo © Wink Willett -All Rights Reserved

The above environmental portrait is of two Wadha girls with their goats. The Wadha tribe near Bhuj are traditionally involved in the production of wood charcoal, and are extremely poor. Yet, they take enormous pride in their homes (mostly huts with thatched roofs), the cleanliness of their living quarters and use brilliant colors to spruce them up.

Photo © Wink Willett -All Rights Reserved

The photograph above is of two traditional Rabari shepherds which was made in the south of Rajasthan. The Rabaris are nomadic shepherds, cattle and camel herders, and the men commonly wear white, golden earrings, white or red turbans and carry a big stick in the hand. They wear dhoti and  short double breasted waist coat.

Photo © Wink Willett -All Rights Reserved

During the photo~expedition, we spent a few days in South Rajasthan to photograph at the Baneshwar Mela; an annual religious gathering when event tribal people indigenous to the area converge to the confluence of two rivers. It is there that they remember their dead and cleanse their sins by bathing in the ice-cold water.

Wink Willett is an international banker, and brings to his photographic style the lessons he learned from his many overseas senior postings. Check his website for more of well composed travel photographs.

Thursday, September 23, 2010

POV: iPad Re-examined

Photo © Tewfic El-Sawy -All Rights Reserved

Well, I've played with it for about a week now and I still am of the opinion that the iPad is a more of a wonderful display-toy-gadget rather than a useful tool. And I think this is exactly what Apple intends it to be. I also read that new features are being worked on to include Apple’s Facetime video chat capability.

I also have seen articles predicting that most portable computer devices in the coming few years will have touch-screens and if so, the iPad was certainly the precursor.

I currently use it to peruse news websites, play time-wasting games (mostly sniper games), and that's it. The only photography-related app I think is really fantastic is the one by The Guardian called The Guardian Eyewitness app for iPad. I have yet to see another as good. If anyone knows of similar apps, please let me know.

The good news is that SoundSlides (my favorite audio-slideshow making software) now has a beta version of program which is iPad-compatible (it auto detects iPads, and using this version allowed me to view my audio-slideshows on the iPad.

Some of my audio slideshows have also been uploaded to my Vimeo page, and I can watch these on the iPad as well. The resolution is not as great as the Soundslides though.

Bottom line: the iPad is cool.

The above images is on the opening frame of my new (and still unreleased) slideshow of Balinese cockfights.

S&F™ Lowepro: MultiMedia Photographer


Here's what is fantastic about being ad-free and not beholden to any manufacturer (or retailer)...I am free in liking or disliking any product I want, and mention my opinion on my blog. I'm not paid to flog a particular product and ignore others that I like. I can use a product from ABC and another from XYZ...I have no particular loyalty to any manufacturer (unless it produces exceptionally good products), nor do I follow a fad...nor another photographer. I like what I like...period.

Now, I happen to like some of the Lowepro products, and I've used a couple of them myself. I use a Top Loader Pro bought in 2000 or 2001 that still works perfectly well, except for one of its zippers that doesn't work any more...it's been badly abused for the past 10 years, and it's grubby...but that's how I like my stuff. I also have a Lowepro backpack and a Stealth Reporter shoulder bag that I seldom use now, but in their heyday, they were great.

I suppose Lowepro realized it had to come up with a separate line of products for the growing number of multimedia photographers, perhaps following Think Tank which also has an interesting product line, and has recently launched the S&F™ Lowepro for the Multimedia Photographer products, which consist of S&F™ Technical Harness with S&F™ Light Utility Belt, S&F™ Slim Lens Pouch 75 AW & 55 AW, S&F™ Audio Utility Bag 100, S&F™ Laptop Utility Backpack 100 AW, S&F™ Lens Exchange Case 200 AW and S&F™ Transport Duffle Backpack.

I am only interested in the S&F™ Audio Utility Bag 100 at this stage, so I'll probably pop in one of the two photography retailers closest to me, and check it out.

I am still enthralled by my The Travel Photographer Pouches, so it'll be difficult to pry them from my hands...but one never knows.

Wednesday, September 22, 2010

Jørgen Johanson: Kham & Amdo (Tibet)

Photo © Jørgen Johanson -All Rights Reserved

Jørgen Johanson went on his first trip to Asia in 1982, and completed the Annapurna circuit in Nepal. He was hooked from that moment on travel, photography and on Asian cultures.

He's a software development engineer for companies Norwegian companies, and recently took a 2-3 years sabbatical just to travel. Most of his travel has been trips to Asia, but also made some trips to Africa, where he photographed in Ethiopia and Niger. He's also enamored of India and China...but it's the Tibetan culture and the Himalayas that really fascinate him.

Take a look at Jørgen's Kham & Amdo photo galleries (he's got two on his website), and explore the other galleries which include Myanmar (some good shots of the fishermen of Lake Inle) and Bhutan (stop by the lovely photograph of Wangdi Phodrang Dzong in the mist).

Jørgen also self-published a book "Kham And Amdo" which is available on Blurb, which you can preview in its entirety.

Nguyen Thanh Hai: Hanoi

Photo © Nguyen Thanh Hai -All Rights Reserved

Nguyen Thanh Hai is known as Maika Elan, and is a young Vietnamese freelance photographer based in Hanoi whose work is just delightful.

Maika was a selected participant in the Creative Economies workshop at the Asia Europe Forum for Young Photographers in Malaysia, and at the 2010 photojournalism workshop with the Indochina Media Memorial Foundation (IMMF), where she received awards for the best photo essay and best single photograph.

I was initially drawn to her gallery of classical drama, and then to her photographs of Inside Hanoi...which I strongly encourage you to peruse. Maika's sense of color and compositional skills will impress you. I also urge you to visit her Lomography section, which she lets her color affinity loose.

In my view, Maika has an extremely bright future in photography.

Tuesday, September 21, 2010

Mercedes S 65 AMG

Exclusivity and dynamism in a new dimension: This is the new Mercedes S 65 AMG. The amazing top model of the new S-Class is 450 kW / 612 hp and reaches a maximum torque of 1000 Newton metres.

Mercedes S 65 AMGThe technological leadership of the powerful AMG sedan also illustrates the use of new, innovative AMG high-performance composite brake system with a double fist on the front seat. New Mercedes S 65 AMG offers a new standard AMG sports suspension based on Active Body Control, the striking AMG styling, multi-AMG 19 - inch alloy wheels.

Mercedes S 65 AMGThe new Mercedes S 65 AMG celebrates on 8 January 2006 at the North American International Auto Show in Detroit its world premiere. Its 6.0-liter V12-turbo engine makes driving performance, of which some sports car pilot can only dream: the acceleration from zero to 100 km / h takes 4.4 seconds, speed is 200 after 13.3 seconds (provisional figures). The maximum speed is 250 km / h (electronically limited).

Mercedes S 65 AMGThird, this exclusive driving dynamics of the Mercedes-AMG-developed V12 engine with 5980 cm3 displacement, the extraordinary details of which are: The maximum power of 450 kW / 612 hp is steadily between 4750 and 5100 revolutions are available, while the maximum torque of 1000 Nm 4000/min between 2000 to be retrieved. Already at 1000 revolutions provides the AMG V12-turbo engine torque of 570 Newton metres to the crankshaft, at 1500/min are 750 Newton metres. In the design and construction of the V12 engine, the AMG engineers on the extensive know-how of its longtime motor sports tradition back.

Mercedes S 65 AMGFor the characteristic AMG typical twelve-cylinder sound in the new Mercedes S 65 AMG, the AMG sports exhaust system with two chrome Doppelendrohren in the new V12 design. The new tri-metallic coating of the catalyst allows for a faster response to the cold start, improved efficiency of exhaust after-treatment, and a greater long-term stability. Of course meets the Mercedes S 65 AMG all current emission limits, such as EU4.

Mercedes S 65 AMGThe exceptional position of the AMG V12-engine was at the "International Engine of the Year Awards 2004" rewards: In the category of "Best Performance Engine" the jury chose the 612 hp AMG engine before 70 competitors from Europe, USA and Japan to the winner. In the AMG engine factory each engine is traditionally under the philosophy "One man, one engine" by hand. This means that each technician a complete AMG V12 engine mounted - documented by his signature on the AMG engine plate.

Mercedes S 65 AMGNew standards regarding delay, modulation and stability, the newly developed AMG high-performance braking system based on the ADAPTIVE BRAKE system. On the front axle comes as a typical AMG innovation is a new double fist to the saddle. This new, unique technology combines the advantages of a disk brake gear with a floating buckle - lower heat transfer to the brake fluid and clear comfort advantages by the leadership of the brake pads - with the performance of a lush dimensioned brake hard saddle. In composite brake discs construction at the front and rear axle with 390 and 365 millimetres in diameter ensure shortest braking, high stability and perfect modulation.

The dual-circuit hydraulic braking system is electronically controlled, allowing many assistance functions that improve safety and comfort. The contact with the road, multi-AMG 19-inch light alloy wheels with mixed tyres. On the front axle, to 8.5 inch wide rim tire size 255/40 ZR 19 mounted rear is the dimension 275/40 ZR 19 on 9.5 inch wide rims.

A perfect complement to elaborate drive technology offers the AMG sports suspension with Active Body Control system. The active suspension reduces the build movements at the start, turning and the braking almost complete.

Mercedes-typical elegance combined with distinctive sports - that signaled the new Mercedes S 65 AMG already at first glance. AMG styling, the new style skillfully combines with the widely exhibited ensures high sovereignty in appearance. Front row, the redesigned AMG front apron with enlarged air intakes an athletic touch. The two asked slanted struts and integrated round fog lamps with chrome rings does the S-Class optically even broader and deeper.

The multi-AMG 19-inch light alloy wheels in a new five-spoke design with a titanium-painted rims Stern blend harmoniously into the overall lines and represent additional highlights. For a fitting conclusion, the powerfully drawn to the rear apron AMG styling with the two double tubes summarized in the new V12 design of the AMG sports exhaust system.

Suitable for dynamic exterior convinced the exclusive interior: Immediately after the opening of the door to receive the Mercedes S 65 AMG the driver with a large AMG logo in the central display of the combi-AMG instrument.

The RACETIMER stores the time of the fastest-driven round, the average and maximum speeds and the lap length, and all information can be easily using the buttons on the AMG ergonomic sports steering wheel retrieve. The AMG instrument is combined with its 360 km / h scale, a subtle reference to the performance of the Mercedes S 65 AMG.

Special flair also distribute the rich walnut root-Trim, the leather upholstery "Passion exclusive" and the driving AMG sport seats with seat own graphics.

Ralph Childs: Bali Island of Odalan

Photo © Ralph N. Childs -All Rights Reserved

Ralph Childs is a five time participant in my photo~expeditions, and is the seventh to submit samples of his work made during the Bali: Island of Odalan Photo~Expedition ™.

The above photograph, which I view as one of the best ones in his Bali portfolio, is of a devotee in a trance during a melasti ceremony at Masceti beach. These trances are not play-acting by any means, and are genuine manifestation of religious fervor which may reach a peak during such important celebrations and rituals.

Photo © Ralph N. Childs -All Rights Reserved

The above photograph was made during a traditional procession on the same Masceti beach on the Balinese eastern coast during one of the melasti ceremonies we photographed. Melasti is the purification of the Pratima deity and other symbols at a beach, and is a fundamental ritual of a temple's anniversary.

Photo © Ralph N. Childs -All Rights Reserved

This is one of the candid photographs that Ralph seeks whenever he's traveling. He pursues the theme of "father & son", and this one of the young boy and his father (under the spring's spout) was made at Pura Tirta Empul, where hundreds of devotees come daily to bathe in the temple's sacred springs.

Photo © Ralph N. Childs -All Rights Reserved

The above photograph is of Kecak dancers in an unusual pose, which I believe is towards the end of the performance. The Kecak dance is a comparatively modern Balinese dance, and is also known as the Ramayana Monkey Chant. It is performed by a circle of many performers wearing checked cloth around their waists, chanting "cak" and throwing up their arms.

Chicago-based Ralph Childs maintains the blog RNC Photography where he posted more of his Kecak photographs. He also photographs local assignments during week-ends, and works for one of the largest American aerospace and defense technology company.

Monday, September 20, 2010

Greg Vore: Rickshaw Wallah

Photo © Greg Vore -All Rights Reserved

Greg Vore is a New York City-based photographer, and attended three colleges: Duke, The New World School of The Arts in Miami and The North Carolina School of The Arts. He started his photography career assisting in New York City for 6 years, after which he opened a studio on the north side of Williamsburg where his commercial work has been on still life. He completed catalogs and packaging imagery for Kate Spade, Bumble and Bumble, Waterworks, Henri Bendel, Martha Stewart, Intel, Krispy Kreme Doughnuts, Creative Recreation and others. This work has appeared in Vogue, Vanity Fair, New York Times T, The New Yorker, Domino and Lucky magazines.

His travel work has been featured in the Communication Arts Photo Annual, PDN’s World In Focus issue in the extreme exploration category and by National Geographic and CITY magazines.

Here's Greg's Rickshaw Wallah gallery, which features a number of rickshaw pullers (or wallahs) which must have been photographed in Kolkata. Using a simple white backdrop for portraits of rickhsaw wallahs is incredibly effective, especially those that retain some of the natural background. Others are photographed in the "field" so to speak. To underscore how hard these wallahs work, a photograph of calloused hands is added to the gallery.

Also take a look at Greg's other galleries including his India and Africa photographs.

His rickshaw gallery brings memories of the excellent Dominique Lapierre's City of Joy (book and movie) in which Hazari and his family re-locate to Kolkata with hopes of starting life anew, but he ends up pulling a rickshaw. The fabulous Indian actor, Om Puri, delivered an unforgettable performance as Hazari.

Sunday, September 19, 2010

Fujifilm's FinePix X100: Digital "Rangefinder"




These are breaking news from Photokina...Fujifilm launched the FinePix X100, a 12.3-megapixel camera styled in a 1950s metal-and-leather body. It features and APS-C sized CMOS sensor and a fixed-in-place but bright and fast 23mm f2 prime lens. It also boasts an ISO range of 200 to 6400, and 5fps continuous shooting.

According to Engadget, this camera will interest many to-be DSLR buyers provided it's intelligently priced. Absolutely, and I would think it would also interest existing DSLR users who lust after a more compact camera.

The Luminous Landscape reports from Photokina that it may cost approximately US $1,700 when it becomes available early in 2011.

UPDATE (Sept 21): Fujifilm confirmed that it will retail for about $1000 and be available in March (via BJP's 1854 blog).

Jan Sochor: The Palo In Cuba

Photo © Jan Sochor -All Rights Reserved

Jan Sochor is a freelance photographer, working between South America and Europe. He lived and worked in Chile, Colombia, Costa Rica, Spain and the Czech Republic during the past five years. His photographs and stories have appeared in numerous magazines, newspapers and websites, including Sunday Times, National Geographic, Reuters, Burn magazine, Foto8, 100Eyes, UNESCO, Boston Review, PDN online,and others.

In this 3 minutes audio-slideshow, Jan has now focused his lenses on the adherents of the Palo religion, also known as Las Reglas de Congo. Palo is a syncretic religion which developed in Cuba amongst Central African slaves. Due to forced evangelicalism, Palo adherents gave their deities names from the Christian faith to continue their spiritual tradition.

Palo's main tenets are the veneration of ancestors' spirits, and belief in natural powers. The Palo pantheon starts at the creator god, Nzambi.

Highly recommended viewing for those of us who document, and are interested in, global spiritual traditions.

Saturday, September 18, 2010

Reuters Does Big: Full Focus

Photo © REUTERS/Carlos Barria -All Rights Reserved

Reuters has joined the other news media in featuring large photographs on a blog.

Full Focus, a large format showcase of Reuters award-winning photography, tells global stories. The agency seeks to use this imagery to foster a deeper understanding of current events and social issues, and Full Focus provides an opportunity for its readers/viewers to offer perspectives on the photographs and the topics they address.

The lovely photograph by Carlos Barria and is part of the Haiti Revisited photo essay, and is of expecting women waiting for tent distribution near the presidential palace in Port-au-Prince on February 19, 2010 during the aftermath of the earthquake.

I ought to add separate links (to the right of this page) for all the large-sized photo blogs of major news media...Boston Globe's The Big Picture, Sacbee's The Frame, WSJ Photo Journal, The LA Time's Framework, etc.

Kristian Bertel: India

Photo © Kristian Bertel-All Rights Reserved

Kristian Bertel is a Danish photographer who graduated from Aarhus Tech with a degree in graphic design. His passion for photography began in 2006, and it was exercised in India some years later.

Kristian started out in Delhi and ventured into the Thar desert in Rajasthan, and then to the holy city, Varanasi.

There are 12 sideshows of India on Kristian's website, and are mostly of portraits of Indians in the streets, accompanied by Hindi songs and music. The one titled Vijayawada however, is accompanied by Arabic music....possibly an Egyptian rural song.

Apart from this minor lapse, these galleries will satisfy most Indiaphiles as being accurate representations of Indians going about their daily lives in various cities, towns and villages.

Friday, September 17, 2010

POV: Geniuses!


This will probably be one of my shortest POVs...but Stewart and Colbert are absolute geniuses! I prefer the "Keep Fear Alive" rally...its premise is so satirical that I can't wait to see the faces of the right-wing/tea baggers clowns on Fox.

But isn't it also sad that it's up to Comedy Show personalities to satirically stand up to extremism, and to highlight the hypocrisy of our politics, politicians, and mainstream media?

Lens: John Stanmeyer's Island of Spirits

Photo © John Stanmeyer-All Rights Reserved

The New York Times' Lens features John Stanmeyer's Island of Spirits, whose black & white photographs were made using a Holga.

Also included is an interview by the NYT's James Estrin with John, who's one of the founding members of the photo cooperative VII, and whose work appears regularly in the National Geographic and Time. This coincides with an exhibit that opened on Thursday at the VII Gallery, 28 Jay Street, Brooklyn, which I mentioned a few days ago on my blog.

I loved these wonderful photographs made using the lowest technology possible, especially as they are a reminder that it's the photographer, not the camera, that makes them.

Having just returned from a photo-expedition to Bali a few weeks ago, I also marvel at the degree of influence John (and Gary Knight) has had on my own photography. I attended a week-long workshop with both of them a few years ago in Bali, and I can see their "thumbprints" on the images I made during these past 15 days...especially on two black & white projects I am working on at the moment....cockfighting and cremations.

When these are ready, I will feature them on this blog, and you, my readers, can judge for yourselves.